
It was an odd choice, ending as it did quite literally in the middle of the scene.Īo no Exorcist was always in a tough spot, an adaptation that began too early in the life of a fiercely popular manga that will likely run for years to come. As if it weren’t clear enough that this wasn’t really an ending, the anime closed with a completely extraneous bit about a demon that possesses vehicles, giving Rin one last chance to show all all his shounen character attributes and giving us one more Blackie moment. That added a nice benedictory moment at the close of the series, as well as framing the contradiction of their existence and setting the stage for future developments. My favorite moment of the episode was when Rin and Yukio – sent by Mephisto – headed off to the abandoned forest where Yuri died giving birth to them 16 years earlier. Probably the most interesting element of the final arc was the question of Satan’s motives – it’s clear that Yuri genuinely believed ( and still believes) that this notion of uniting Genenna and Assiah has merit, and that their sons will still have a role to play in doing just that. “Where have you been all this time?” Indeed, Shima – my very words. But I’d hoped for more, a real choice – and as for Takara, all he did was pop his head in at the close and say a few words of snark through his bunny puppet. We did get an interesting flashback at the start of the episode, where Mephisto apparently made a bargain with Faust himself – apparently choosing his alias as a tribute – and he did at least provide commentary when Rin and Yukio joined their demonic powers to form a flaming phoenix that was rather cool.

I was also a bit disappointed that, right to the end, both Mephisto and Takara ended up playing the role of spectator. It’s not as if things could have ended any other way, but as has sometimes been the case with this adaptation the characters get where they’re going a little too quickly and conveniently, with the necessary emotional journey feeling rather rushed. The final battle on the rooftop went just as I expected, with Arthur joining up with Shura, and the Okumura brothers setting aside their squabbles to stand (or fly) together against their father. If I’m going to fault it, I would argue that it was too predictable and – even given my expectations – too open-ended.
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There’s no question that the series lost a little of its dramatic firepower when the anime veered off, but I’ve generally enjoyed this final arc and it didn’t end badly. That’s all well and good, but the most important question is how the ending stands on its own. If and when (and I’d bet the farm on “when”) a second season rolls around, if A-1 so chooses they can pick up pretty much where they left the manga last month and not skip a beat.

That left anime-original characters like Ernst as sacrificial lambs, but indeed none of the major cast died and no potential avenues for a second season were closed off (Yukio was even demoted back down to Middle First Class). No vital characters would die – if they’re alive in the manga they’d survive the anime.
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While it was certainly an open question how A-1 Pictures was going to conclude this adaptation, one thing I was pretty confident of – even before the movie announcement – was that no doors would be closed. The ending for the anime of the manga that isn’t ending anytime soon wasn’t really an ending at all.
